SANTANA DO MATOS, RIO GRANDE DO NORTE: Uma Pintura Rupestre Recuperada das Águas

Authors

  • Gabriela Martin Docente, programa de Pós-graduação em Arqueologia, UFPE.
  • Valdeci dos Santos Júnior Departamento de História, UERN.

DOI:

https://doi.org/10.20891/clio.V32N2p102-117

Keywords:

Preservação da memória, Reconstituição gráfica, Tradição Nordeste, Subtradição Seridó.

Abstract

A partir de um desenho originalmente efetuado em 1927 pelo agricultor José de Azevedo Dantas, foi possível reconstituir graficamente, em 2017, um painel de pinturas rupestres no sítio arqueológico Pinturas, localizado no município de Santana do Matos, Estado do Rio Grande do Norte, Brasil, que tinha sido quase que totalmente destruído pela ação das águas, oriundas de um açude construído em 1951 nas proximidades do suporte rochoso contendo as pinturas. A reconstituição auxiliou na preservação da memória gráfica e evidenciou a presença de características picturais da Tradição Agreste e também da Tradição Nordeste, Subtradição Seridó.

 

SANTANA DO MATOS, RIO GRANDE DO NORTE: A rock painting recovered from the waters

ABSTRACT

From a drawing originally made in 1927 by the farmer José de Azevedo Dantas, it was possible to reconstitute graphically, in 2017, a panel of cave paintings in the archaeological site Pinturas, located in the municipality of Santana do Matos, State of Rio Grande do Norte, Brazil, that had been almost totally destroyed by the action of the waters, coming from a dam built in 1951 near the rocky support containing the paintings. The reconstitution assisted in the preservation of the graphic memory and evidenced the presence of pictorial characteristics of the Agreste Tradition and also of the Nordeste Tradition, Seridó Subtradition.

Keywords: Preservation of memory - Graphical reconstitution - Nordeste Tradition, Seridó Subtradition.





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Published

2018-01-02

Issue

Vol. 32 No. 2 (2017)

Section

Artigo

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