TEMPORAL CONTEXTS IN ROCK PAINTINGS SITES IN MORRO DO CHAPEU, BAHIA
DOI:
https://doi.org/10.20891/clio.V35N1p14-38Keywords:
Rock painting, Chapada Diamantina / BA, ArcheometryAbstract
The definitions of chronological markers of painting on rock art in Archeological sites, has been one of fundamental aiming for all searchers that work in Archeology. In Morro do Chapéu-Ba, limited features of traces are the main reason that make difficult to use traditional methods. In addition, it worst with shallow depth soil, resulting scarce and poor artefacts. However, the finding of pigment blocks inside of campfire in the Toca da Figura, provides exceptional opportunity to determine when it was done. The use of analytical methods from Archeometry became possible to build a frame of links between pictures painted on the panel and the pigment blocks of campfire.
References
ETCHEVARNE, Carlos. 2007. Escrito na Pedra. Cor, forma e movimento nos grafismos rupestres do Estado da Bahia. Versal, Rio de Janeiro. 2007
J. MCDONALD, A. CATACORA, S. de KORNING, E. MIDDLETON, J. Archaeol. Sci. Reports, 2016, 10, 917.
L. EVANS, A. MOURAD, J. Archaeol. Sci. Reports, 2018, 18, 78.
J. PALOMAR-VAZQUEZ, S. BASELGA, M. J. VIÑALS-BLASCO, C. GARCÍASALES, I. SANCHO-ESPINÓS, J. Archaeol. Sci. Reports, 2017, 12, 32.
R. G. GUNN, L. C. DOUGLAS, R. L. WHEAR, Rock Art Res., 2014, 31 (1), 1.
J. HARMAN, Using decorrelation Stretch to enhance rock art imagens, Annual Meeting of the American Rock Art Research Association, Reno, Nevada, 2005.
PESSIS, Anne M. Imagens da Pré-história. Fundham. Rio de Janeiro, 2002.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Carlos Etchevarne, Maria Conceição Soares Meneses Lage, Benedito Batista Farias Filho, Francisco Eroni Paz dos Santos

This work is licensed under a Creative Commons Attribution 4.0 International License.
Since 2020, authors retain the copyright to their works and grant CLIO Arqueológica the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 International (CC BY 4.0). CLIO Arqueológica retains the copyright of texts published in issues from 1984 to 2019 and grants Creative Commons Attribution 4.0 International (CC BY 4.0) to this content in order to ensure Open Access.
You are free to:
Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

