Razões para a rejeição do autonomismo radical no debate acerca da avaliação moral de obras de arte

Authors

  • Luísa Caroline da Silveira Pogozelski Universidade Federal de Pelotas

DOI:

https://doi.org/10.51359/2357-9986.2019.240738

Keywords:

art criticism, art’s moral assessment, radical autonomism, moderate moralism, aestheticism

Abstract

The way to grounding the moral assessment of artworks stumbles upon the challenges that are still imposed in contemporary times. This article took avail, for the most part, of Noël Carroll’s moderated moralist argumentation, as well as his insight about how this debate should be performed. The position to be confronted is named by him radical autonomism, which is essentialist upon art’s value. We pointed out the problems in the autonomist’s argumentation, seeking replies to the argument of the commum-denominator and the argument of cognitive triviality. We also advocated a pluralism over art’s value, proposing a mitigated view of aesthetic experience, which entails that the scope of the artistic value includes many fields of value, the aesthetic being just one of them.

Author Biography

Luísa Caroline da Silveira Pogozelski, Universidade Federal de Pelotas

Doutoranda em Filosofia pela Universidade Federal de Pelotas Tem como interesse principal a Filosofia Contemporânea, com ênfase em Filosofia da Psicopatologia, Filosofia da Arte, Filosofia da Mente e Filosofia das Emoções. Atualmente estuda, de um ponto de vista crítico, a perspectiva evolucionista como base para estabelecer-se o que é uma mente saudável, bem como os comprometimentos dos critérios biológicos utilizados nos instrumentos de avaliação vigentes. Em seu mestrado em Filosofia desenvolveu pesquisas sobre as relações entre Estética e Moral com ênfase em discussões contemporâneas. Possui bacharel em Filosofia pela mesma universidade, na qual desempenhou pesquisas sobre Estudos de Gênero, Estética, Modernidade e Teoria Crítica. Possui graduação em Artes Visuais ainda por concluir.

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Published

2020-08-19