Nothing is lost,everything is transformed (in Marília Garcia)

Abstract

The present  work,result  of  a  recent  master's  thesis, aims  to present  a  critical  reading  of  the  poem  "O  poema  no  tubo  de  ensaio" published  in  the  book Parque  das  Ruínas (Luna  Parque,2018)  by  author Marília Garcia from  a close-reading  perspective  (but  not  only). We  believe that     the     carioca     poet     to     operate the metatextuality     and     the conceptualization of her texts largely uses obsessive repetition and reflexive reiteration as instruments not only of writing,but of her own perception of the  world.The  repetition  seems to  overcome  the  eminently  linguistic  and stylistic character of “figure of speech”and reaches an extract of means of expression   in   itself,even   as   a   mean   of   expression   in   hers   literary performances.For our theoretical foundation we started with thinkers of theexperimental  field inliterature,such  as  Argentines  Gonzalo  Aguilar  and Mario Cámara (2017); also by Brazilian teachers Ana Maria de Alencar and Ana Lúcia Moraes who think of restrictive writing and “officinal” writing in literary traditionand also by Marjorie Perloff (2013) with hers research about “citational” poetry.We bet that by using a close reading perspective of the text,we  are  not  abandoning  the  characteristics  of  the  poem,on  the contrary,we are seeking to build an analysis that knows and recognizes the materiality of the poetic text and can develop together with that matter.