Design without drawing: the relative importance of drawing in design methods

Authors

  • Airton Cattani Universidade Federal do Rio Grande do Sul
  • Mariana de Oliveira do Couto e Silva Universidade Federal do Rio Grande do Sul

DOI:

https://doi.org/10.51359/2595-0797.2020.248642

Keywords:

Design Drawing, Author Design, Creative Processes

Abstract

Drawing is a hegemonic graphic resource in design, playing a fundamental role in project methods, in communication and in the manufacture of consumer goods. However, some design and manufacturing methods may eventually reduce the importance of drawing as an anticipation tool, given the peculiarities of the creative or productive process. Through case studies, this article shows some cases that makes drawing's role relative in design or production methods. For this, four areas of design were listed and, through specific cases, the use of drawing as a tool of relative importance in design methods was investigated. The results point out that, despite the relevance of drawing in the design and production process, eventually this role can be relativized according to the peculiarities of the areas and design methods.

Author Biographies

Airton Cattani, Universidade Federal do Rio Grande do Sul

Arquiteto, Professor Titular do Curso de Design e do Programa de Pós-Graduação em Design da UFRGS, Porto Alegre, Brasil.

Mariana de Oliveira do Couto e Silva, Universidade Federal do Rio Grande do Sul

Designer. Mestranda do Programa de Pós-Graduação em Design, UFRGS, Porto Alegre, Brasil.

References

AZDECOR. I de irmãos Campana. Disponível em www.azdecor.com.br/2014/09/i-de-irmaos-campana/ Acesso em 15 mar. 2020.

BÜRDEK, Bernhard. História, Teoria e Prática do Design de Produto. São Paulo: Ed. Edgard Blücher, 2006.

Campana Brothers. Complete works (so far). New York: Rizzoli International Publications, 2010.

CARVALHO, Marina Freitas de. Entrevista ao autor. Porto Alegre, 30 mar.2020. 20’

CATTANI, Airton. Aspectos históricos do desenho de design. In: OLIVEIRA, Geisa Gaiger de; NÚÑEZ, Gustavo Javier Zani. Design em Pesquisa - Volume 3. Porto Alegre: Marca Visual, 2020, p. 601-615.

CATTANI, Airton; LEENHARDT, Jacques. Taxonomia da representação emdesign. In: Revista Educação Gráfica, v. 21, p. 270-282, 2017.

DARRIN, Alfred. Displaced Materials. In: Campana Brothers. Complete works (so far). New York: Rizzoli International Publications, 2010. p. 128-142.

DONDIS, Dondis. Sintaxe da Linguagem Visual. São Paulo: Martins Fontes, 2007.

FERRO, Sérgio. O canteiro e o desenho. São Paulo: Projeto, 1982.

FRUTIGER, Adrian. Sinais e símbolos – desenho, projeto e significado. São Paulo: Martins Fontes, 1999.

IMBROISI, Renato; KUBRUSLY, Maria Emilia. Desenho de fibra: artesanatotêxtil no Brasil. Rio de Janeiro: Senac Nacional, 2011.

IMBROISI, Renato. Entrevista ao autor. Porto Alegre, 08 abr. 2020. 22 50”

JUNGMANN, Jean-Paul. L’image en achitecture: de la représentation et de son empreinte utopique. Paris: Éditions de la Villette, 1996.

MARGOLIN, Victor. The Designer as Producer. Disponível em: https://readings.design/PDF/designer_as_producer.pdf. Acesso em 08 jul. 2020.

MIDAL, Alexandra. Design. Introduction à l’histoire d’une discipline. Paris: Agora, 2009.

MUNARI, Bruno. Design as art [Arte comme mestieri]. Middlesex: Penguin Books, 1971.

RODRIGUES, Maria Regina. Cerâmica. Vitória: UFES, 2011.

SAINT-AUBIN, Jean-Paul. Une histoire du relevé. In: SAKAROVITCH, Joël. Mesures et grands chantiers. 4000 ans d’histoire. Paris: Ordre desGéometres-Experts, 2002.

Published

2020-10-20

Issue

Section

ARTIGOS