Fictional names, mental files and declarative speech acts

Authors

DOI:

https://doi.org/10.51359/2357-9986.2021.250141

Keywords:

Individual concept, Singular thought, Fictional narrative, Fic-tive, parafictive and metafictive uses

Abstract

In this paper I defend the claim that fictional names refer to individual concepts, understood as mental files. Those concepts constitute the set of thoughts that are in turn constitutive, together with the corresponding sentences, of what I call ‘the conceptual world of a fictional narrative’. In defending this thesis, I offer a novel interpretation of the distinction between fictive, parafictive and metafictive uses of the sentences containing fictional names. Fictive uses are analysed as declarative speech acts of different kinds: they encompass both the original uses, by means of which an author introduces a name in the context of the creation of a fictional narrative, and the replicating uses depending on the insertion in a communication chain leading to that narrative. Parafictive uses, conceived of as mixed acts, partly assertive and partly declarative, are those speech acts in which the narrative is reformulated: the output is the creation of an interpretative extension of the original conceptual world. Finally, metafictive uses are understood as assertive speech acts, constitutive of another extension of the conceptual world of the narrative, whose purpose is to interpret it critically.

References

Bonomi, Andrea. 2008. “Fictional contexts”. En Perspectives on Contexts,editado por P. Bouquet, L. Serafini & R. H. Thomason, 215–250. Stanford:CSLI Publications.

Castañeda, Hector-Neri. 1989. Thinking, Language, and Experience. Minne-apolis: University of Minnesota Press.

Crimmins, Mark.1992. Talk about Beliefs. Cambridge: The MIT Press.

Crimmins, Mark, and Perry, John. 1989. “The Prince and the Phone Booth:Reporting Puzzling Beliefs. The Journal of Philosophy 86: 685–711.

Currie, Gregory. 1990. The Nature of Fiction. Cambridge: Cambridge Uni-versity Press.

Devitt, Michael. 1996. Coming to Our Senses. A Naturalistic Program forSemantic Localism. Cambridge: Cambridge University Press.

Devitt, Michael, & Sterelny, Kim. 1987. Language and Reality. Cambridge:The MIT Press.

Donnellan, Keith. 1974. “Speaking of Nothing”. The Philosophical Review83: 3-31.

Frege, Gottlob. 1892. “Sobre sentido y referencia”. En Escritos filosóficos,editado por Jesús Mosterín, 172–197. Barcelona: Crítica - Grijalbo Monda-dori.

Frege, G. 1918. “The Thought: A Logical Inquiry”. Mind 65: 289–311.

Friend, Stacie. 2000. “Real People in Unreal Contexts”. En Empty Names,Fiction and the Puzzles of Non-Existence, editado por Antony Everett &Thomas Hofweber, 183-203. Stanford: CSLI Publications.

Friend, S. 2011. “The Great Beetle Debate: A Study in Imagining withNames”. Philosophical Studies 153(2): 183–211.

García-Carpintero, Manuel. 2007. “Fiction-Making as An IllocutionaryAct”. Journal of Aesthetics and Art Criticism 65: 203-216.

García-Carpintero, M. 2013. “Norms of Fiction-Making”. British Journal ofAesthetics 53: 339-357. DOI: 10.1093/aesthj/ayt021

García-Carpintero, M. 2015. “Is Fictional Reference Rigid?”. Organon F 22(Supplementary Issue): 145-168.

García-Carpintero, M. 2019. “Normative Fiction-Making and the World ofthe Fiction”. Journal of Aesthetics and Art Criticism 77 (3): 267-279, DOI:10.1111/jaac.12660

García-Carpintero, M. 2020. “Referential Indeterminacy in Fiction”. Jour-nal of Applied Logics 7 (2)Goodman, Nelson. 1968. Languages of Art. An Approach to a Theory ofSymbols. New York: The Bobbs-Merrill Company Inc.

Jeshion, Robin. 2009. “The Significance of Names”. Mind & Language24(4): 370–403.

Jeshion, R. 2010. “Singular Thought: Acquaintance, Semantic Instrumental-ism and Cognitivism”. En New Essays on Singular Thought, 105–40.Oxford: Clarendon Press.

Korta, Korta and Perry, John. 2011. Critical Pragmatics. An Inquiry intoReference and Communication. Cambridge: Cambridge University Press.

Kripke, Saul. 1980. Naming and Necessity. Cambridge: Harvard UniversityPress.

Kripke, S. 2013. Reference and Existence: the John Locke Lectures. Oxford:Oxford University Press. (Basado en las John Locke lectures dictadas en1973)

Lispector, Clarice. 1960. “Amor”. En Cuentos reunidos (Lazos de familia).Madrid: Ediciones Siruela, 2008.

Orlando, Eleonora. 2017. “Files for Fiction”. Acta Analytica 32: 55-71.

Perry, John. 2001. Reference and Reflexivity. Stanford: CSLI Publications.

Predelli, S. 2020. Fictional Discourse. Oxford: Oxford University Press.

Recanati, Francois. 2009. “(Anti-)Descriptivism, Mental Files, and theCommunication of Singular Thoughts”. Manuscrito 32(1): 7-32.

Recanati, F. 2012. Mental Files. Oxford: Oxford University Press.

Sainsbury, Mark. 2005. Reference without Referents. Oxford: ClarendonPress.

Sainsbury, M. 2010. Fiction and Fictionalism. London: Routledge.

Salmon, Nathan. 1986. Frege’s Puzzle. Cambridge: The MIT Press.

Searle, John. 1969. “A Taxonomy of Illocutionary Acts”. En Language,Mind and Knowledge, editado por K. Gunderson, 344-369. Minneapolis:University of Minnesota Press.

Simpson, Thomas M. 1964. Formas lógicas, realidad y significado. BuenosAires: Eudeba.

Terrone, Enrico. 2018. “Twofileness. A Functionalist Approach to FictionalCharacters and Mental Files”. Erkenntnis DOI 10.1007 /s10670-018-0097-2.

Walton, Kendall. 1990. Mimesis as Make-Believe: On the Foundations ofthe Representational Arts. Cambridge: Harvard University Press.

Zalta, Edward. 1983. Abstract Objects. Dordrecht: Reidel.

Published

2021-04-11

Issue

Section

Dossiê temático dedicado à Filosofia Analítica Sul-Americana