#izoizolyatsiya: creativity as a method of socialization

Autores/as

DOI:

https://doi.org/10.51359/2357-9986.2023.259053

Palabras clave:

izoizolyatsiya, flash mob, live painting, social networks, photography

Resumen

The Izoizolyatsiya challenge became one of the most popular forms of entertainment during lockdown in Russia. In this article, I analyzed this virtual communication environment that functions in an extreme situation of the pandemic. The earlier manifestations of the principle of recreating art works with live models in the field of leisure and art were briefly outlined. The flash mob accumulated features of the traditions of tableaux, painting, photography, and specific characteristics of social networks. It was revealed that the carnival features of this challenge contributed to the actualization of creative forces among the participants and their emancipation. Participation in the Izoizolyatsiya flash mob helped compensate for the lack of everyday communication during isolation, and also became a new form of interaction between family members.

Citas

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Konstantinova Anna Vladimirovna. “Tableaux: visual Theater of the predirectorial Era (on the history of Russian theater in the first half of the XIX century)». Vestnik Akademii Russkogo baleta im. A.YA. Vaganovoj, № 4(39). 2015, 219-236.

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Reznik Natalia. “The Izoizolyatsiya: from home theater to a social event”. Colta, 2020. Available at: https://www.colta.ru/articles/art/24459. Access on 15.06.2020.

Troianovski Anton. “Bored Russians Posted Silly Art Parodies. The World Has Joined In”. The New York Times, 2020. Available at: https://www.nytimes.com/2020/04/25/world/europe/russia-Facebook-artparodies.html. Access on 29.10.2020.

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Publicado

2023-10-04

Número

Vol. 50 Núm. 2 (2023): Poética de los límites

Sección

Dossiê temático Poética dos Limites

Licencia

Derechos de autor 2023 Alexandra L. Yurgeneva

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Esta revista está licenciada com uma Licença Creative Commons Atribuição 4.0 Internacional.