Grotesque presence in the mannerism of Camonian sonnets
DOI:
https://doi.org/10.51359/2175-294x.2024.263060Keywords:
Camoens, mannerism, grotesque, sonnetsAbstract
This article aims to understand the relationships between the Mannerist style and the category of the grotesque based on sonnets by Luís de Camões, in which this union is shaped. Initially, wesought to define what Mannerism would be in relation to Renaissance classicism and Baroque, based on theoretical studies by H. Wölfflin, A. Hauser, H. Hatzfeld and G. Hocke. Then, wetry to think about it in a convergence with the grotesque through theoretical references coming from W. Kayser and M. Bakhtin, followed by the analysis of the poems.
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