A recepção crítica da obra de Adriana Lisboa
DOI:
https://doi.org/10.51359/2175-294x.2019.240809Keywords:
Adriana Lisboa, critical reception, professionalism, literary field.Abstract
This article analyzes the critical reception of the work of Adriana Lisboa with the main objective of verifying the position of specialized critic and non-specialized criticism before the author's literary production. In this investigation, we tried to highlight the themes of the novels of Adriana Lisboa and to point out how the criticism has contributed to the creation of a specific audience for this writer. For this, we use as basis of our work studies by authors such as Pierre Bourdieu, for a sociological deepening of issues involving art, and Tânia Pellegrini, for understanding the formation of the critical field in Brazil.References
AZEVEDO, Luciene. Estratégias para enfrentar o presente: a perfomance, o segredo e a memória. 2004. Tese de doutoramento (Literatura comparada) – Instituto de Letras, UERJ, Rio de Janeiro, 2004.
BOURDIEU, Pierre. A economia das trocas simbólicas. São Paulo: Perspectiva, 2007.
DIAS, João Paulo M. Costurando os retalhos: Um beijo de colombina, de Adriana Lisboa. In: Fórum de Literatura Brasileira Contemporânea 3. UFRJ, Editora Torre, 2011. Disponível em: http://www.forumdeliteratura.com.br/artigos/artigos-3-edicao/15-costurando-os-retalhos-um-beijo-de-colombina-de-adriana-lisboa. Acesso em: 6 jan. 2018.
EAGLETON, Terry. As ilusões do pós-modernismo. Tradução: Elisabeth Barbosa, Rio de Janeiro: Jorge Zahar, 1998.
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