Comentários acerca do trabalho feminino e da luta de classes em Parque Industrial de Patrícia Galvão
DOI:
https://doi.org/10.51359/2175-294x.2019.240810Keywords:
Parque Industrial, class struggle, female class struggle, working women.Abstract
The novel Parque Industrial (1994) of Patrícia Galvão was published in 1933 under the pseudonym of Mara Lobo. The book denounces the moral and sexual harassment to which workers were subjected during the process of Brazilian industrialization. In dialogue with the concept of the aesthetic regime of art, by Jacques Rancière (2009), we articulate to the comments of the novel some considerations of Auguste Bebel (1910) and Domenico Losurdo (2015), concerning, respectively, the problematic surroundings of the work of the women in the early part of the last century and the vision of the female class struggle associated with a macropolitical context of social dissimetry.References
BEBEL, August. Woman and Socialism. Socialist literature company: New York, 1910.
BENJAMIN, Walter. “O narrador”. In: BENJAMIN, Walter. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. Trad. Sérgio Paulo Rouanet. 7.ed. São Paulo: Brasiliense, 1994. pp. 222-232 (Obras escolhidas; v. 1).
GALVÃO, Patrícia. Parque industrial. São Paulo: Edufscar, 1994.
GRIMM, Jacob e Wilhelm. “Rumpelstiltzchen”. In: GALVÃO, Patrícia. Contos maravilhosos infantis domésticos. São Paulo: Cosac Naify, 2012. p.260-261. Tomo I.
LOSURDO, Domenico. A luta de classes: uma história política e filosófica. Trad. Silvia de Bernardinis. Boitempo: Rio de Janeiro, 2015.
RANCIÈRE, Jacques. A partilha do sensível. Trad. Mônica Costa Netto. 2.ed. São Paulo: Ed 34, 2009.
LOSURDO, Domenico. “Literatura impensável”. In: LOSURDO, Domenico. Políticas da escrita. Trad. Mônica Costa Netto. São Paulo: Editora 34, 1995. p. 25-45.
SOARES, Luís Eustáquio. “Literatura, imperialismo mundial integrado e biopolítica: Parque Industrial, Marco Zero e PanAmérica”. Estudos de literatura brasileira contemporânea, n. 52, p. 122-147, set./dez. 2017.
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