“Welcome, o life!”: O Künstleroman de James Joyce como galho morto do Bildungsroman
DOI:
https://doi.org/10.51359/2175-294x.2020.245088Keywords:
Bildungsroman, Künstleroman, regression, reality.Abstract
The present work defends that the Bildungsromanlasted until the nineteenth century, but it has not survived duringthe twentieth century. In order to do that, it is present a reading of the excerpts of the novels Le Père Goriot, of Balzac, and A Portrait of the Artist as a Young Man, of Joyce. The conclusion was that there are, on the first, characteristics of the Bildungsroman and, on the second, conversely, there is a regression of the protagonist that, gradually, rejects the reality.References
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JOYCE, James. A Portrait of the Artist as a Young Man. In: LEVIN, Harry (Ed.). The Essential James Joyce. Whitehorse: Penguin Books, 1948.
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