The reflexive form in modern poetics: some paths on romantic irony
DOI:
https://doi.org/10.51359/2175-294x.2025.265173Keywords:
parabasis, romantic irony, formal self-reflection, modern lyricAbstract
The present work aims to historicize the reflective dimension in the arts, revisiting movements, works, and theoretical reflections relevant to its understanding, such as the notion of parabasis in classical comedy and the concept of romantic irony from early German Romanticism. These issues are explored to deepen the understanding of the intellective character that constitutes modern poetry, evident in its critical approach to the world and in the construction of a self-reflective poetic subjectivity — that is, one that reflects both on its position in the world and on its own compositional methods (the formation of an artistic subjectivity).
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