Entre o estranhamento e a carnavalização: considerações sobre as relações de espaço-sujeito em Os transparentes, de Ondjaki
DOI:
https://doi.org/10.51359/2175-294x.2020.245322Keywords:
traditions, innovations, space, individuals.Abstract
The novel Os transparentes, by Ondjaki, presents a city built by ordinary people in its thirst for survival and a particular mythical world. This work aims to analyse elements that set up this scenario and theirs traditions and innovations. Then, I will use a theoretical repertoire that reflects the category of space and its relations with individuals, such as Chklóvski's theory of strangeness and de-automaticization, and Bakhtin's ideas of carnivalization. I understand that the novel returns to diverse literary and cultural traditions, but the text also inserts itself with invention language in the contemporary literary scene.References
ARENAS, Fernando. África Lusófona: além da independência. Trad. Cristiano Mazzei. São Paulo: Edusp, 2019.
BAKHTIN, Mikhail. A cultura popular na idade média e no renascimento: o contexto de François Rabelais. Trad. Yara Frateschi Vieira. São Paulo: Editora Hucitec, 1987.
BAKHTIN, Mikhail. Estética da criação verbal. Trad. Paulo Bezerra. São Paulo: Martins Fontes, 2006.
CHKLÓVSKI, Viktor. Arte como procedimento. In: OLIVEIRA, Toledo de (Org.) Teoria da Literatura: formalistas russos. Porto Alegre: Globo, 1976.
ONDJAKI. Os transparentes. São Paulo: Companhia das Letras, 2013.
REIS; LOPES, A. C. M. Dicionário de teoria da narrativa. São Paulo: Ática, 1988.
REUTER, Yves. Introdução à análise do romance. Trad. Bergamini; Arruda; Sette; Jouët-Pastré. São Paulo: Martins Fontes, 2004.
TAVARES, Paula. Amargos como os frutos: poesia reunida. Rio de Janeiro: Pallas, 2011.
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