Paul Thomas Anderson e a escritura: a operação da linguagem de There Will be Blood

Lucca Marthius Reginatto Lobato

doi:10.51359/2175-294x.2023.257762

Paul Thomas Anderson and the writing: the operation of language in There Will be Blood

Authors

Lucca Marthius Reginatto Lobato Universidade de Brasília, UnB. https://orcid.org/0000-0003-1110-3518

DOI:

https://doi.org/10.51359/2175-294x.2023.257762

Keywords:

writing, language, Paul Thomas Anderson

Abstract

This article intends to work with the concept of writing within the genre of the script, specifically with the operation of language. This implies that we will deal with the way Paul Thomas Anderson, director and screenwriter of the film, uses the language for the development of the narrative and the characters so that not only allows the representation on the screen, but also, and especially, potentiate the writing form of the script. The article seeks to understand how writing and its operation of language enables the event in the feature film.

Author Biography

Lucca Marthius Reginatto Lobato, Universidade de Brasília, UnB.

Universidade de Brasília. Mestrando no Departamento de Teoria da Literatura e Literaturas da Universidade de Brasília (UnB) e graduado em Letras - Tradução - Francês pelo Departamento de Línguas Estrangeiras e Tradução da mesma universidade. E-mail: lmlobato@outlook.com

References

ANDERSON, Paul Thomas. There Will Be Blood. Final shooting script. Los Angeles, Paramount Vintage, 2007, 130p. Disponível em: https://www.hollywoodchicago.com/uploaded_images/therewillbeblood_script.pdf . Acesso em: 09 mar. 2023.

DELEUZE, Gilles. Gaguejou.... In: DELEUZE, Gilles. Crítica e Clínica. Tradução de Peter Pál Pelbart. São Paulo, Editora 34, 2019. p. 122-129.

DERRIDA, Jacques. De la grammatologie. Paris, Les Éditions de Minuit, 1967.

DERRIDA, Jacques. Signature événement contexte. In: DERRIDA, Jacques. Marges de la philosophie. Paris, Éditions de Minuit, 1972. p. 365-390.

RABELO, Thiago da Silva; BORGES, Rosana Maria Ribeiro. Sobre corpos isolados na imagem: a mise en scène em Sangue negro, de Paul Thomas Anderson. Intexto, Porto Alegre, n. 50, p. 178-198, set./dez., 2020. Disponível em: < Sobre corpos isolados na imagem: a mise en scène em Sangue negro, de Paul Thomas Anderson | Intexto (ufrgs.br)> Acesso em: 07 mar. 2023

STAM, Robert. A Questão da Linguagem Cinematográfica. In: STAM, Robert. Introdução à teoria do cinema. Tradução: Fernando Mascarello. Campinas, Papirus, 5.ed., 2013. p. 127-138.

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Published

2023-12-06

How to Cite

Lobato, L. M. R. (2023). Paul Thomas Anderson and the writing: the operation of language in There Will be Blood. Revista Investigações, 36(1). https://doi.org/10.51359/2175-294x.2023.257762

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Issue

Vol. 36 No. 1 (2023): Revista Investigações - Estudos Literários

Section

Artigo - Literatura (seção livre)

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